The English Civil War has ended, King Charles I has been beheaded, and radical ideas are spreading. Tobias Coppe, member of a notorious religious sect, The Ranters, is preaching in the Flask Tavern in London. In the midst of a lewd act, Tobias is interrupted by officers from the army. He escapes arrest by hiding in the bedroom of a chaste Puritan maiden, Chastity Clarkson. The Ranter sees her seduction as a challenge, but will he be successful? Never was religious discourse so sexy!
Student-Artificer Elijah Saloman discovers what he thinks could be a lost masterwork of the greatest Artificer ever born. He is determined to make it work, even though he has no idea what it is or what it is supposed to do. But when everything that can go wrong does, Elijah finds himself caught in an interesting predicament—trapped within the machine, and at the mercy of the whimsical plaything of a long-dead Artificer with a taste for the exotic. (M/M)
Matthew O’Dallan was separated from his childhood sweetheart Iphigenia Haworth when his parents promised him to the Church. Years later, Iphigenia finds her way to his parish. Their old bond hasn’t weakened—in fact, maturity has made it in some ways stronger than ever, adding lust to their longtime affection. She remembers the old promises they made each other, and before God, she is ready to keep them. And although he knows that it’s a sin, Matthew can’t help but find in her temptation the chance for a last touch of grace. (F/M)
Sascha and Cash are more than slave and master—they’re researchers. When their research encounters a problem, they find themselves left waiting impatiently. To fill the time, they decide to conduct a little research of their own. A simple curiosity about positions and preferences leads to a sexy exploration. (M/M)
What do you do when the dead rise? What do you say to the love of your life when he comes back to you from the grave? How do you apologize for killing him? Jesse knows and he also knows that love never dies. (M/M)
One day the cruel, vain Caliph of Ishfahan spies a magical bird in a courtyard garden. He summons Sofia, one of his servant girls, to go there with a gilded cage and capture the bird for him. But when she sees the wondrous bird she tells her to fly away to safety. The Caliph is enraged and orders Sofia to be put into an iron cage, and for his imperial guard to abuse her for forty days and forty nights. But what will befall when her forty day ordeal is complete and she is summoned to the Caliph to be executed? (M/F)
Before Sascha had the good fortune of finding a master who cared for him, he was a lowly brothel whore. Neither good looks nor intellect could help him in this harsh world of sadistic clients, cruel peers, and Mistress Bethel—owner of Bethel’s Brothel. When he is forced to confront this history, he does so in the only way he knows how. (M/M)
Cash and Sascha explore the wonderful world of roleplaying—that is, until their sexual adventures hit a little too close to home. Resolving the damages that they have done to each other in the past will take a little time and a lot of passion. (M/M)
Waitress Michelle Medena was used to the attention she got from men. They were always hitting on her, but none seemed interested in anything but her good looks. Then one night Zak Tover, the teaching assistant in her economics class, sat at her table. With his socialist-themed t-shirts and tendency to leave extravagant tips he was like no one she’d ever met. He seemed to find her beauty of little value.
Zak Tover was completely intimidated by beautiful women and knew better than to try to hit on them. Michelle, however, was particularly difficult to ignore, especially when her class papers revealed a clever mind behind all that loveliness. Still, they come from very different socio-economic backgrounds and Zak knew better than to expect that there could never be a fair trade between them…that was, until Michelle’s wayward brother stepped in with his own radical economic theory and completely altered the exchange rate. (F/M)
Coral is an actress in Victorian London who has just landed a plum role in the Grand Guignol. Determined to focus on her career, she decides not to get involved with any of her co-stars, but this proves more difficult than she imagines when she meets the strangely compelling Richard Morris, the actor who plays the man who murders her every night on stage. (F/M)