Other Gender Sex
Story features sexual activity involving at least one character who is not specifically “male” or “female.”
Kerry Sanderson’s life is falling apart. He’s crushing himself to fit into the boxes others have put him in: dutiful son, good boyfriend, real man. But even the small rebellions he’s fought for himself—moving into a sketchy part of town and becoming an exotic dancer—aren’t giving him the freedom he needs. Ewyn Garrity, a security guard at the gay club where Kerry dances, has found himself in protecting others. Everyone thinks he’s straight, but Ewyn doesn’t fit into simple boxes, either. When he meets Kerry, he makes a not completely innocent offer of company after work.
Ewyn and Kerry hit it off, each finding something he desperately needs in the other. But when Kerry is forced to confront the pain and self-doubt that keep him crushed in his boxes, he’s afraid that no one, not even Ewyn, will be able to love who he is when he finally, truly becomes Kerry. (M/M, M/GQ)
Edgar Dalman, a repressed researcher, stumbles upon an ancient artifact that leads him to the mysterious Miss Casimir. Tormented by lustful dreams of this woman, he seeks her out, coming at last to confront the object of his desires and the weird secrets hidden beneath her estate. (F/M)
When Chet, a graduate student of archaeology, is invited to show a gorgeous woman named Journey around their summer dig site, he has no idea what he’s in for. For one thing Journey isn’t a woman: she’s Flame, one of the reviled, shape shifting, gender-fluctuating people of Uos. Then Journey uncovers a deadly secret in the dust. Chet must run to keep up with spies, murder, long-lost magic, and a romantic dream embodied by a 332 year old man who holds the key to absolute power on the world of Uos. (Other, M/F, M/M)
At a leather play party, Davey, a shy trans man, sees the woman of his dreams—Maria, the beautiful, brown-skinned woman in red. Davey wants her desperately enough to ask Papa, a stranger at the crossroads, for her heart. Papa’s instructions seem simple enough, but failing to follow them might cost Davey more than just his soul. (M/F)
Ariston is a palace eunuch in the court of Cleopatra VII. Handsome, successful and vain, he is used to the advances of the women and men of the Alexandrian court, none of whom suspect his secret: that Ariston was born a girl. But what happens when the queen herself takes an interest? (F/F)
For years, the shape-shifter Mariss had moved among the rich and powerful, changing face and body, re-inventing identity, always seeking the most unique erotic experiences. Never appearing as the same person twice, Mariss played a dangerous game, risking exposure to the humans with each tryst. The game, and possibly Mariss’ life, are put at risk when one beautiful young woman says three terrifying words: “I See You.” (F/M, F/F, F/GQ)
Ilamaych had once dreamed to become a Flame, to be able to change his body to be entirely female or male as he chose, instead of stuck shamefully between from birth. But that hope died when he was captured by slavers, and sold to a rough, lusty Ventris farmer named Earen whose commanding manner is at odds with his role as a serf to the local Matron. Earen is the first person Ilamaych has ever met who actually appreciates his unique body.
When Ficus—Flame to Earen’s Matron—discovers that Earen has been keeping Ilamaych prisoner on his farm, they are hauled in for punishment, and some very personal reconciliation.
But the world is bigger than one matron’s household, and the Ventris have been feuding with the lords of Tache for over three thousand years. Just when Ilamaych and Earen are finally finding their way with Ficus, things suddenly become much, much more complicated. (M/M, M/F, Other)
Master Tholnauer, an alchemist by trade, is used to submitting his art to the service of the nobility, for which he is well paid. He is also used to serving the nobility’s more exotic needs with discretion, enhancing the natural endowments of a lord or lady with his magical black paint. For this, he is paid very well. However, he is not used to remaining after his artistry is done, and assisting lusty noble ladies quite this directly. (F/M, F/F, F/F/M)