Touched by Death

Erotic stories of the dead, the undead, and the living who have to deal with them.

Brush with Death by

Dead people don’t make good boyfriends. At least, that’s what Grant tries to remind himself. A painter, Grant moved into his apartment to be alone and to work on his art, only to discover the resident ghost, Joey. It’s not all bad. Joey is a pretty good listener, a good model – and he’s hot. (M/M)

A Little Push by

What do you do when the dead rise? What do you say to the love of your life when he comes back to you from the grave? How do you apologize for killing him? Jesse knows and he also knows that love never dies. (M/M)

Love is for the Living by

The zombies have arrived, and Blaine needs to escape. He’d always thought of his London neighborhood as a place of safety, but then his infected neighbors tried to eat him. Blaine packed a bag and fled through growing numbers of shambling, voracious monsters–people, he had to remind himself, they’re people–toward his family in Bristol. He would surely have died without the turn of luck that brought him Commander Andrew Peterson. Together, they face the horrors and adversities of the apocalypse, trying to protect their loved ones, and—if they’re lucky—find love for themselves. (M/M)

Ghastly by

One man, living alone, has survived the end of the world. An epidemic has swept the globe and turned its victims into undead cannibals. The walls of his rustic mountain cabin, which served as a welcomed retreat in his previous life, are slowly closing in. After eighteen months of survival and solitude, he feels isolation taking its toll. Intent on relieving his carnal urges before going completely mad, he travels to a nearby town, and finds a female companion with a few surprises of her own. (M/F)

Maman Brigitte by

Piloting the slave ship Le Saphir, captained by the cruel Captain Dugarry, is to be Gerard’s final job before retirement. He does not realize his journey will draw him him into the world of Maman Brigitte, a spirit worshiped by the Hatian slaves, who controls the way to the spirit world. There, Gerard is forced to choose between his life among the living and eternal submission to a cruel goddess. (F/M)

Beyond the Bedroom and Into the Night by

Amelia is a Victorian girl lying ill in her bed, watched over by her father, uncle, and the doctor. Her brother is coming back from university to see her, but none of them are aware of the strange new attraction for each other, or that she has been bitten by a vampire; a vampire who is stalking the grounds of the house and waiting. (F/M)

Tomb Brides by

Attempting to raise a dead warrior, Alrekr, from his barrow mound, three companions quickly outrun their luck. Folkvardr must travel into Ironwood to rescue his lover Unnr and her slave, Huld, from Alrekr the undead corpse, even if he must face Angrboda, the ettin of Ironwood herself. (M/F, F/F)

 

Screen Siren by

Director Sam Raymond lacks the star power to work with living actresses—instead, the studio makes him stretch his rock-bottom budgets by casting the undead. By night, he labors at a screenplay for the actress he hopes to cast one day, the lovely Jessica Savage.

In cruel Hollywood, however, aging hopefuls sometimes arrange to die in order to have a chance of appearing in a casting call—what used to be called suicide has become a career move. Jessica succumbs to temptation and appears on Sam’s lot as part of a zombie “meat pile.”

Sam recognizes the dangerous intelligence in her eyes, but he can’t bring himself to shoot her. He’s determined to get the movie and the woman he wants, no matter what he has to risk in the process. (M/F)

 

In the Death of Winter by

As a young woman hangs bound in desperate, hopeful sacrifice, an aged priestess of the dead god of winter recalls the night he made her his, with his power and his cold passion. (F/F, M/F)

 

The Snake and the Lyre by

Eurydice longs to marry Orpheus, but his self-centered love for his music blinds him to her sensuality. A cruel Naiad seduces and kills Eurydice, unleashing the full hunger of her desire. When Orpheus braves the Underworld to save his lost Eurydice, can he pull his bride away from its depraved pleasures? (F/F)